Context Clues

After looking at figurative language last week, you probably realize that sometimes words don’t follow the rules. Even if you have a dictionary and can look up the definition of a word, you could still have a hard time figuring out what the word means in a reading passage. Enter “context clues” to save the day. This post explains what context clues are, how they help readers decipher the meaning of words and phrases without a dictionary or outside help, and how to get others using context clues effectively.

When we read, we sometimes come across words we don’t know. This is a great way to build vocabulary, especially if you have the internet or a dictionary at hand to tell you the meaning of the new word.

But we don’t always have that luxury, especially during an exam. It can be intimidating when we’re asked “What’s the meaning of X-Word” and that’s the first time you’ve seen “X-Word.” Some readers shut down, some panic, and the meaning of the passage is lost, all because of one word.

Sometimes, however, writers are aware that they’re using words readers might not be familiar with, and they helps us out by giving us clues to the meaning of the word right there in the passage. These clues are called Context Clues because they’re found in the context of the passage.

The thing to remember about context clues is that they’re not always in the same place.

Some context clues are found within the same sentence as the new word.

Some are found in the sentences before or after the one with the new word.

You can even figure out the meaning of a word by thinking about how the word is used in the sentence, whether it’s a noun or verb or adjective.

The trick is to always remember that context clues exist. Once children remember that they can get help with vocabulary words right there in the passage they’re reading, they won’t feel as anxious when they come across a new word. It’s all about building confidence by teaching strategies.

There are different types of context clues, and one way to remember them is to think of them as AIDES. Since context clues aide our understanding of meaning in a passage, this acronym is a good fit.

A – Antonyms. Sometimes, writers give us the opposite meaning of the word. Example: Our new teacher is cranky and unapproachable, but our last teacher was affable. The word ‘but’ indicates contrast, so we know affable is the opposite of cranky and unapproachable.

I – Inference. Sometimes the meaning of word is implied and meaning is derived from reading the sentences before and after. Example: My blouse is torn. When I pulled it over my head, it got caught on my earrings. In this sentence, there’s an explanation of how a blouse is used so you can guess it’s something you wear like a shirt.

D – Definition. Example: Sedentary individuals, people who are not very active, often have poor health. In that sentence, the word sedentary is defined. Usually, definitions are put within commas, or come after words such as ‘refer’, ‘be called’, ‘may be seen as’, or ‘which is’.

E – Example. Sometimes an example of the word is given, and this helps in figuring out what the word means. Example: She likes contact sports; for example rugby, football, and martial arts. From the examples given, we can guess that contact sports are those in which players get into physical contact with each other.

S – Synonyms. Sometimes writers use other words that have similar meaning to the new word. Example: Elephants are enormous. They are the largest land mammals. In this case another, more familiar word is used the same way the word enormous is used. By looking at the two sentences, we can guess that ‘largest’ means something similar to ‘enormous.’ They are synonyms, so ‘enormous’ would mean something large. 

The main thing with teaching context clues, is to get children to understand that there is help with figuring out the meaning of new words. Many children get anxious when they meet words they don’t know, and don’t even try to figure them out. They either ask someone to give them the definition, or they check their dictionary, or they give up and skip the word altogether.

So, when teaching context clues, let children know that this isn’t a test in itself, but a way to help them when they’re reading and doing comprehension questions. Explain that “I don’t know” is not a suitable answer to “what does that word mean”. They should always try to figure out the meaning for themselves before checking the dictionary or asking for help.

One way to make this fun is to make it a game. Whenever doing comprehension exercises or reading and children come across a word they don’t know see who can figure it out first. Keep a tally of points and at the end of a set time period, the person who gets the most points wins. There need not be a tangible reward, just bragging rights as the person who figures out context clues.

As an added incentive to get everyone involved, have them work in groups and the group gets the points only when everyone has the correct answer. Make it so that the same person can’t always give the answer, and every time an answer is given it must be accompanied by “I figured out that meaning because…” So the person giving the definition must say how they came up with the answer.

For those students who are tactile learners, you can work ahead and identify words in the passage that may be challenging. Write or print easier synonyms that the children would know. Give them the synonyms and let them know that while reading they may come across words they don’t know. The meanings are on the slips and the context clues would help them know which words are the right ones to substitute. This gives students something to manipulate and move around while they’re reading.

The more children use context clues, the more at ease they will become with using them. This means such exercises should be done often. Skill development in this area is essential for faster reading, better comprehension, and reduced anxiety. 

Teaching Figurative Language

The best stories and poems are the ones that draw us in through the expert use of words. We love descriptions and expressions that make us feel we’re there experiencing life in the imaginary world along with the characters. Sometimes, however, figuring out what writers mean is a little more challenging. That’s because sometimes authors use words in ways they’re not normally used, and readers have to interpret them, almost as if reading a foreign language.

There are a few different definitions of ‘figurative language’, but all point to the same thing: figurative language refers to a specific type of language we use to heighten a reader’s experience. Ordinary statements take on a whole new life as we move from literal, exact meaning to abstract, creative meaning.

Pigs strap on jet packs and soar through the sky like eagles on steroids. Pampered pet pooches perch precariously on painted points. Then, BLAM! You’re a rooster in a rainstorm, soaked through to your bones! Nothing is as it seems.

The list of literary devices used as figures of speech is longer than most people realize, with the number going upwards of 20. The good news is that we often use various types of figurative language without knowing what they’re called, and the even better news is that there are only about 6 or so common ones that we should be familiar with.

1. Simile
2. Metaphor
3. Personification
4. Alliteration
5. Hyperbole
6. Onomatopoeia

Simile

This is probably the most common type of figurative language. We’ve all encountered expressions and sayings like: “as busy as a bee”, or “as strong as an ox”, and even “as stubborn as a mule.” Some similes also use the word ‘like’, for example “They fought like cats and dogs” or “That show was like watching paint dry.” A simile is a comparison. You’re comparing a specific quality in one item, with a similar quality in another item that people are familiar with. For example, paint takes some time to dry, and it’s not the most exciting thing to look at. Guess what we’re saying about the show? Yup, it’s boring and slow.

Personification

We do this with our pets all the time when we assign human attributes and thought processes to their behaviour. “Cats are devious animals trying to take over the world.” Sometimes we even assign human characteristics and intentions to inanimate objects. “I swear that spoon was trying to kill me!” Anytime we add human meaning to the actions of non-human creatures or objects, we’re using personification.

Alliteration

This one uses our fascination with sound to create peculiar and interesting reactions. By repeating initial consonants, we create tongue-twisters and amusing statements. One of the more famous expressions of alliteration is: Peter Piper picked a peck of pickled peppers. It’s fun to create your own too, especially if you use words that would not normally come together in a sentence and still try to have the sentence make sense.

Onomatopoeia

This one is a favorite of mine for two reasons. First, the word itself has to be one of the coolest sounding real words in the English language. Say it out loud three times fast and you’ll understand what I mean. The second reason I love this type of figurative language is because of what it is. There are times in writing that you want to conjour a feeling in your audience and conventional words just don’t work well. Enter the word that sounds like the noise you’re describing! How else can you describe a whooshing wind, or a tinkling bell, or the sound of a closing door? Doesn’t BLADAM give you a different response altogether from SLAM or CLICK?

Metaphor

This one is related to similes because it is also used for making a comparison. A metaphor can be considered a simile that has been intensified or strengthened. Instead of saying the two things you’re comparing are similar, like or as, you remove those words to say that the two things are each other. So, instead of “roaring like a lion” you’re now “a roaring lion”. And instead of being “hungry as a bear” you’re now “a hungry bear”. The comparison is the same, but writers are now saying that it’s more than just a similarity, the behaviour is so strong the two things might as well be the same.

Hyperbole

Parents and teachers are often guilty of using hyperbole with children, “I’ve told you a million times to clean up your room!” or “Why do you always ask that question?” These exaggerated statements are not meant to be taken literally, but are meant to highlight something. So, I may not have told you a million times, I don’t actually know because I haven’t been counting, but it feels like a million because it’s quite a lot and I’m tired of saying it.

When writers use figurative language, they’re saying one thing when they really mean something else. This is one of the reasons many people have trouble understanding the meaning associated with some expressions. While many are so common they’ve become integrated into our system of language as idiomatic expressions, many writers create their own, and that requires some thinking on the reader’s part.

The first step in being able to decipher figurative language is to understand the various types there are. For SEA, those described on the other photos in this post are the main ones children need to know. Make sure they know the definitions and are able to recognize examples.

In addition to reading many different types of texts in which figurative language is used, have kids create their own. Encourage them to have fun with this, to make up the craziest, or wackiest metaphor, hyperbole, onomatopoeia, personification, alliteration, or simile.

One word of caution, however. Children should be reminded that when they are in the role of writer, the language they use should be reasonable and understandable. In other words, readers should not feel exasperated trying to figure out what they mean. At this level, readability is paramount.

To teach recognition of figurative language in a fun way, children can play matching games where they have tabs with sentences and tabs with labels they must match. They can work in groups or on their own.

To add some movement into the mix, children can play a twister-style game with the figurative language. Circles can be drawn on the ground, each labeled for a type of figurative language. The teacher reads a sentence and students have to touch the circle that correctly identifies the example with either a hand or a foot. For example, if the teacher says, “He’s as slippery as a snake. Right hand.” Then the children would have to stretch to touch the circle labeled ‘Simile’ with their right hand. There should be several circles labeled ‘Simile’ to choose from. This is ideal for groups of 3 or 4 children.

A modification of that game for larger groups would have larger circles drawn and labeled, and children have to run to the circle they think is the correct answer. Incorrect answers can be monitored and corrected, plus a winner could be determined. After three chances of incorrect answers, a child would be out of the game. Those who have the correct answers remain. A single winner or group of winners could emerge after several rounds.

For children who love art and play dough, these activities can also be integrated into a lesson on figurative language. After discussing and practicing with one of the literary devices, ask the children to select one sentence from a list given, or write their own, and create a piece of art to illustrate the sentence. They can paint, draw, use play dough, or any other material they have at their disposal. Afterward, each child would need to explain their concept.

Teaching figurative language is an opportunity to have a fun and exciting class. What other ideas can you think of to make your lesson enjoyable?

Question-Answer-Relationship

In a previous post, we shared five different types of comprehension questions following one approach. Here’s another comprehension strategy called Q-A-R which helps readers decipher what their role is in answering different types of questions. Q-A-R stands for Question-Answer-Relationship, and identifies four types of questions in two categories.

Category 1 – Answers are in the passage

* Right-There Questions: Answers are stated directly in the passage.

* Think & Search Questions: Answers are stated in the passage, but not all in one place. Readers must piece the information together to fully answer the question.

Category 2 – Answers are in the reader’s head

* Author & Me Questions: Author gives clues to the answers, which must be combined with the reader’s knowledge in order to arrive at a complete answer to the question.

*On My Own Questions: Answers are based on the reader’s knowledge of the passage and previous knowledge of the topic the passage is written about, and are completely created by the reader.

Category 1 questions are usually straightforward and typically easier to answer, while Category 2 questions require more critical and creative thinking.

Right-There Questions usually ask for identification of Who, What, Where, or When. Sometimes, even How or Why can be found directly in the passage. An easy way to find answers for these types of questions is to use key words from the question to guide where the answer is.

For example:
Give one detail about the trip that the writer enjoyed, even though it rained.

Another way to phrase this question is: What did the writer enjoy about the trip, even though it rained?

Key words in this question are: enjoyed, trip, rained. Chances are that you would find one or more of these words directly in the passage. The answer will usually be near where you find those key words…either in the same sentence, or in a sentence before or after.

Other similar questions:
1. Where did the fairies come from?
2. Who brought the magic wand?
3. When was Tania’s birthday?
4. How did Andy open the box?
5. Why did Little Red Riding Hood go to Grandma’s house?

These types of questions often ask for you to put information in your own words. In order to answer them effectively, you will need to read the passage to find relevant information. Many times, these questions ask Why or How and you will need to put together details from many areas in the passage to formulate a response.

For example:
How is Richard’s behavior enthusiastic?

This question calls for two things. First, it calls for an understanding of the word ‘enthusiastic’, then it calls for gathering details about Richard’s behavior to support the idea that it was enthusiastic.

Most likely, details of Richard’s behavior are not all in one place. You will have to read the passage and collect examples of his behavior that fit with the idea of being enthusiastic. Then, you’ll need to present that information in your answer.

Here are other examples of these types of questions:
1. How did the main character find out about the villain?
2. What caused the city to lose hope in the hero?
3. Find 2 examples in the passage that show the villain thought he was doing the right thing.
4. Summarize the passage.
5. How did the hero overcome the villain?

These questions often ask readers to put themselves in the position of the writers or authors, and speculate about the story, characters, and language used.

For example:
What is the main idea of paragraph 3?

This question asks for the reader to consider what the writer’s intentions were, and use information from the passage to support an information about the message the writer conveyed.

Take a look at a few other questions of this type:
1. Why did the writer use the phrase “lost to the world” in paragraph 1?
2. The passage says that Cindy was unhappy at her new school. What can she do to make herself feel better?

Many of these types of questions ask readers to give their opinions or recommendations, and even express how they feel about characters or situations in the passage. Readers can even attempt these questions without reading the passage, although they may miss vital points if they do that because opinions are based on what the passage contained.

For example:
Do you think if the villain apologized for his actions, that the hero would forgive him?

It is likely that nothing in the passage would help you answer that question. You must use your experience and understanding of the type of person the hero is, based on how the passage portrays him, to answer the question on your own.

Other questions of this type can typically take the following forms:
1. Do you feel any sympathy for the villain?
2. Do you think the villain would have been evil if his classmates had been nicer to him when he was in secondary school?
3. The villain wanted to capture the hero, not harm him. What could be some reasons for that?
4. If you were the hero, what would you recommend happen to the villain after capturing him?
5. Do you believe the villain and the hero are fighting for the same reasons?

Comprehension Strategies

Reading comprehension is one of the areas many children have challenges. While they may get the general idea of what they’ve read, some of them have great difficulty responding to comprehension questions. The most fundamental comprehension strategy is knowing what the question is asking, which requires understanding of the different types of comprehension questions.

A quick online search will tell you that there are generally five types of comprehension questions –
1. Lexical – those questions that have to do with vocabulary. For example, “What took the bus into the city?”

2. Literal – those questions that have answers that can be found from a quick scan of the reading material. These usually answer the questions Who, What, Where, When. For example, “Where is the boy with the suitcase going?”

3. Interpretation – those questions that are based on information presented in the reading, but require some thinking to answer. These types of questions answer Why, How, and What if. For example, “Why did the boy with the suitcase board the bus?”

4. Applied – those questions that ask readers to go beyond what was read and give their opinion. These types of questions answer What do you think. It’s important to note that in answering these questions, readers must give reasons for their opinions, and these reasons must be based on the information given in the reading material. For example, “Did the boy with the suitcase do the right thing by boarding the bus?”

5. Affective – those questions that ask readers to go beyond what was read to give thoughts about how characters are feeling, or how the reader feels about similar situations. These types of questions refer to social and emotional ideas, and also require reasons and examples from the reading material to support ideas given. For example, “How did the boy with the suitcase feel about the bus driver?”

Knowing the type of question asked is the first step toward answering the question effectively.

Understanding Poetic Language

Understanding poetry takes more than just knowing the words. That’s because writers use many different techniques to express ideas and feelings in poems. For some people, recognizing the abstract and figurative language is a challenge.

Here are five tips for understanding and analyzing poems that you can use and share with your child.

1. Read through the poem to get the general idea of what’s going on. Ask yourself, “What is the poem about?” Note the subject of the poem. See what is being discussed or shared.

2. Next, think about the title of the poem. Does the title give you an idea of what the poem is about? Note the connection between the title and the rest of the poem. See if the title helps with understanding what the poem is about.

3. Then ask yourself who’s telling the poem. Note whether the speaker is involved in the poem, or telling the poem like a narrator. See if you can get any clues about the speaker in the poem. Think about things like personality, attitude, and age.

4. Now you can think about the language of the poem. Go through the poem again and identify where the writer uses figurative language. Label the techniques used. Is it personification? Is it visual or tactile imagery? Is it a metaphor or simile? Remember that poetic language is used for a purpose. The author is trying to convey an emotion or an idea with words. This means thinking about the author’s intention will help you. So ask yourself why the author used that particular technique. Why not something else? What is the important idea that you must understand in this part of the poem?

5. Once you’ve gotten an idea of what each of the techniques convey, replace the figurative language with the explanation. Read the poem again with your explanations to get a better understanding of the meaning of the poem and the ideas the writer is sharing.

After doing all of that, you can now discuss the poem with more confidence. You’ll be able to comment on the techniques used, the ‘speaker’ in the poem, and the ideas or emotions the poem is sharing. From there you’ll also be able to talk about why you think the author wrote the poem the way it was written.

This type of analysis is a process that gets easier with time, so read poetry and practice it often.